– shadows

in the shadow of this mountain my life has been spent the red torii frames me in its pi i rest against the doors of the newest shrine a neighbourhood box backing the empty seiyu department store its bins once provided me with all the food i needed the trains can be heard rattling past the mowing of the cars on the highway now i flip the cat door of the change box of the green phone jigsawed to the corner of the road hoping to find a few coins unsettling the air the panoply of a magician whose doves have flown.

© 2015, theheartbeatsoftly/lizardrinking. please do not use without permission

What an end of/beginning of the year it’s been! Out of the blue, experimental poet Jane Joritz-Nakagawa asked myself and others to contribute to Halvard Johnson’s poetry blog, TRUCK.

One of the exciting things about returning to writing and reconnecting, is the wide interlinking (interlocution) of writers, artists, musicians, thinkers, and all-round good and interesting people.

Often for the first time, I’m encountering names, markets, styles of writing, and forms of publishing which popped up during my hiatus and prose years. Prose is still being writ (large) of course, but poetry is easier to send off. The net does bring us all closer, and not living at home also means I encounter folks from everywhere all the time. New opportunities arise.

I help Jane with the Central Japan Literature Society, so I thought she was asking for work that was somehow not completely complete (that’s a paraphrase of her request) for something she intended to present at our December meeting. Nay. It was for the December instalment of TRUCK. She’d been asked to guest edit and submitted collated work as one long post entitled The World is Not Enough. The artwork is by Shizuoka artist, Marcus Grandon.

Three of my pieces are in there, including the poem which opens this post, mt. fuji – shimizu.
two tickets won to see someone don a monster mask at the folk museum landed in the mailbox this afternoon has appeared on this blog in an earlier form. I think that a piece of tarpaulin has basically kept its shape, though I’d like to change the line spacing.
For the pieces on TRUCK, (as opposed to following the links above), scroll towards the end of the post. Read those versions, cos’ they’re the most up to date.

I’d also submitted some work for consideration to Rat’s Ass Review’s northern hemisphere’s winter edition. I hadn’t heard back from them, so had just thought, meh, you win some, you lose some. However, late December the editor contacted me to say he was running a new section called Love & Ensuing Madness. Has a nice ring to it. It has rolling submissions by the way.

Seattle/Japan poem, the visitor, the guest, has clean sheets to lie on was selected. It has also appeared on the heart beats oftly in a much rougher state.

Suma, Kobe

Suma, Kobe

In other news, last October I presented jointly and individually at the Japan Writers Conference, held at lovely Suma in Kobe. Following from that, a piece I wrote on the irreverent Alice Campion for the Literature in Language Teaching journal was published in print form a couple of weeks ago. Once it has been uploaded to the website, I’ll link to it, just as I am doing now!. Hopefully there will be a few more developments to share with you in February as well. Viva (positive) 2016!

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